grace. 17. merp.
We are all too often told by someone that we are too old, too young, too different, too much the same, and those comments can be devastating.
Sharon Salzberg (via observando)
You’re born with a ton of fucks to give, so you spend them like a kid with a credit card. You give fucks about your friends, about your grades, about your fashion sense, about strangers’ opinions. You give way too many fucks about way too many things. You have so many. Then, as you get older, you have maybe 10 fucks per month, so you learn to budget them. You allocate fucks to family and career, but there aren’t enough fucks to give to the newest fads. Oh, someone at work has something they need my help with that’s outside my job title? I’ll do my best to allocate some fucks, but this month is pretty tight. Then, as you get even older, you’re down to 1-2 fucks per month, and those fucks are pretty damn precious. You give them to your family and your hobbies and your job, and that’s kinda it. It’s not your fault – fucks expire too quickly. I would’ve liked to save my fucks from when I was younger but I can’t. Then, you hit fuck insolvency. You’re getting like 1 fuck a year, and you have to make it last. So you go without, and even previously fuck-worthy things, you just can’t give a fuck. Some people run out really quickly, Some people have a fuck trust fund that pays out a decent amount even into old age. But at some point, the fuck faucet runs completely dry and you’re out of fucks to give. It’s just basic Fuckonomics.

-Unknown English Teacher (via swarthyvillain)

I’ve never read anything more fucking true in my whole fucking life. 

Fuck.

(via unicornempire)

I actually really love this analogy.

(via wincherella)

mermaidskey:

hemipelagicdredger:

mermaidskey:

mermaidskey:

oxidoreductase:

Lavoisier is having none of your shit.

Heeeey so fun fact: the woman in that painting is Lavoisier’s wife, Marie-Anne Pierrette Paulze, who not only acted as Lavoisier’s lab assistant but also translated English and Latin texts into French so he could read them. But she didn’t just translate, she pointed out errors in the chemistry in some of the texts. Her observations of these errors convinced Lavoisier to study combustion, which led to his discovery of oxygen. She was also critical to the publication of Lavoisier’s Elementary Treatise on Chemistry in 1789. She kept strict records of every experiment they conducted together and drew detailed diagrams of all their equipment. She also threw amazing parties and invited all the brightest minds in science so her husband could pick their brains. After Lavoisier was guillotined she secured all of his notebooks and equipment for posterity.

In short: NOBODY KICKS MADAME LAVOISIER OUT OF THE LAB.

Also, a side note: My historian husband-to-be pointed some things out to me about this painting. Notice that Madame Lavoisier is looking at the viewer, and all the light is on her, while Lavoisier himself is physically smaller than her, in shadow, and looking up to her in reverence. This isn’t a candid photograph- all of these choices are deliberate. The painting isn’t of Lavoisier- Madame Lavoisier is meant to be the central subject. 

I can just imagine Lavoisier telling all his colleagues that his wife is really the one with all the clever ideas, and them patting him on the back and telling him he’s sweet for saying so.

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